Entries for parts of books are keyed to an inventory at the again. The 3,263 entries are organized alphabetically in seven divisions: basic reference works; bibliographies and indexes; basic histories, surveys, and regional research; books that discuss a number of performers; articles that deal with several performers; biographies and autobiographies of performers not among these in the next division; 226 particular person performers. The supplements add a bit of general research for every author. I did small studies of thirty countries researching between consent age for sexual education and the teen pregnancy charges. Probably the best-known lady of the Wild West, Annie Oakley was born Phoebe Ann Oakley Moses in Dark County, Ohio, in 1860, and she was shooting like a pro by age 12. Germany’s Kaiser Wilhelm II trusted her with a gun so much that he let her shoot the ash off his cigarette whereas he smoked it. I could like it higher than soymilk. It’s possible you’ll take away the residue simply through the use of a 1:1 solution of laundry detergent and washing soda or sodium carbonate in your comfort. Detroit: Gale, 1978. 269 pp.
Supplement II. 1989. 269 pp. Supplement IV. Comp. LaNelle Daniel. Eddleman, Floyd Eugene, comp. Besides being a useful supply for figuring out an elusive citation or half-remembered line, the scope of American Drama’s textual content archive makes possible a wide range of sorts of studies (stylistic, thematic, imagistic, generic, and topical). An archive of rekeyed texts of more than 1,500 English-language dramatic works by American playwrights (together with African Americans). Four indexes: students; adapted works and their authors; titles of plays; playwrights. Lung function is physiologically divided into 4 volumes: expiratory reserve quantity, inspiratory reserve volume, residual quantity, and tidal volume. Although selective, American Actors and Actresses affords the fullest single compilation of scholarship on important American actors and actresses. A bibliography of English-language scholarship on actors and actresses who had been associated with the authentic stage, had substantial careers, and have been the subject of scholarly examine. Silvester, Robert. United States Theatre: A Bibliography from the beginning to 1990. New York: Hall; Romsey: Motley, 1993. 400 pp. An ample annotated bibliography of studies of twentieth-century American drama is a major desideratum. Fuller, more accurate coverage of scholarship published between 1966 and 1980 on twentieth-century American drama is obtainable by Carpenter, Modern Drama Scholarship (M2875); of post-1980 scholarship, by “Modern Drama Studies” (M2870); and of scholarship before c.
Coverage is continued-at least cursorily-by Frances Diodato Bzowski, comp., American Women Playwrights, 1900-1930: A Checklist (Westport: Greenwood, 1992; 420 pp.; Bibliogs. 6-8) of the scope and coverage of particular person sections. The second has sections for common research, history, overseas influences, and biography and criticism. The lists for particular person performers conclude with cross-references to the general divisions. Searchers also can browse creator and title lists of the contents of the database. Simple keyword, title, and author searches can be restricted by speaker, place of first performance, date of first efficiency, writer, publication date, genre, gender, nationality, and ethnicity and to verse or prose drama, notes, and components (e.g., epilogues, stage instructions). Eddleman initially excludes interviews, biographical research, and writer bibliographies; however, Supplement IV admits almost anything (even master’s theses), including a lot that hardly deserves being called criticism. Archer excludes dissertations, theses, newspapers, fan magazines, and critiques of particular performances. Under each playwright, performs are organized alphabetically by title, with every play followed by an inventory of studies and then opinions (Supplement IV mixes research and opinions indiscriminately).