Although generally more concise than these in the Oxford Companion, entries in the Cambridge Guide are signed. The bulk of the entries are for performs (with size of recent York run the principle criterion governing selection), recording place and date of unique production, size of run, and solid and offering a brief synopsis and significant commentary. Each subset allows searchers to mix a variety of fields and limit searches; for example, the Advanced Search display screen for searching performs has fields for full textual content keyword, title, availability of full text, unpublished plays, date of composition, playwright, gender, nationality, race, translator, lyricist, composer, librettist, writer of e book for a musical, conceiver, all contributors, publication date, yr of first manufacturing, medium, genre, unique language, setting, performers, character names, theater, manufacturing company, subject, and record code; that for characters has fields for full-text key phrase, character title, gender, occupation, nationality, race, sexual orientation, marital standing, individual on whom a personality is predicated, type, creator, play title, style, yr of composition, performer, file code. Although the supply of the full textual content of a play might be identified solely in the bibliographical record (search or browse Plays) and though some indexes are created by an uncritical sorting of file fields, the indexing of the information herein permits for some very exact and subtle searches.
Users can browse indexes of people, theaters, appearing corporations, “resources” (i.e., photos), performs, productions, dates, reference works (an uncritical listing of separate chapters or entries from reference works, with a whole bunch of strains starting “Chapter” or “Entry”), places, and subjects; a number of of the previous embody subindexes and sort options, but the only method to go looking is through an internet browser’s search operate. You’re coveting that skimpy bikini and know the one way you’ll be able to wear it is if you get a wax. Odell, George C. D. Annals of the new York Stage. Like Odell, American Theatre draws on a spread of paperwork to discuss cast and reception. A narrative calendar of theatrical entertainment (together with opera, ballet, vaudeville, minstrelsy, circus, and concert) in New York City from 1699 by way of 1894. Organized by season, then by theater or troupe, the commentary draws on newspapers, unpublished manuscripts and archival supplies, autobiographies, playbills, and different documents to document performances (along with forged lists) as well as focus on vital reception, performers, and theater architecture. Productions are listed chronologically by season; when possible, every entry includes title, opening and closing dates, venue changes, variety of performances and particulars of revivals, author (and relationship to literary works), manufacturing credit, full cast list (with only notable adjustments recorded), descriptions of acts and scenes, and a list of songs or other musical sketches.
An archive of rekeyed texts of more than 1,500 English-language dramatic works by American playwrights (together with African Americans). A database of reference works that treat North American theater, texts of performs (along with bibliographic data for those the publisher can not license), a bibliography of printed and unpublished performs, picture information, biographical knowledge on theater personnel, details of main North American productions, and knowledge on theaters and acting corporations. Coverage of the United States is much more extensive than that for Canada and the rest of North America. Coverage is continued-at the least cursorily-by Frances Diodato Bzowski, comp., American Women Playwrights, 1900-1930: A Checklist (Westport: Greenwood, 1992; 420 pp.; Bibliogs. American Theatre Companies, 1749-1887. New York: Greenwood, 1986. 598 pp. 3rd ed. New York: Oxford UP, 2004. 681 pp. 15 vols. New York: Columbia UP, 1927-49. PN2277.N5 O4 792′.097471. Online by North American Theatre Online (Q3512). PN2266.A54 792′.0973. All are online by means of North American Theatre Online (Q3512). North American Theatre Online (NATO). It does not provide the stability one expects in an Oxford Companion, nonetheless, and it must be used along side Cambridge Guide to American Theatre (Q3499). The Oxford Companion to American Theatre. The first two editions are plagued by numerous inaccuracies, and the emphasis on standard Broadway leisure distorts the picture of the American theatrical scene; however, the Oxford Companion is the single fullest handbook designed for fast reference.
Most of the previous have lists associated with them, but some lists are alphabetized by first identify or preliminary or with an preliminary particular article not inverted. A bibliography of revealed (both individually and in collections), unpublished, and nonextant English-language dramatic works (together with dramatic poems and poems supposed for recitation) written by British or American ladies earlier than 1900. The 2,828 entries (listed alphabetically by writer) sometimes present alternative forms of an author’s name, nationality, start and dying dates, title, publication information for the primary version, source(s) for the entry, and a short annotation (that generally notes varieties, genres, subject matter, and revised editions). ” with selective coverage from 1750 to 1850 and full protection from 1850 via 2001. Musical theater is broadly outlined to include such varieties as operetta, dance drama, and rock opera and isn’t limited to English-language works. Organized alphabetically by company (with cross-references for various names), entries consist of two components: a dialogue of the history, industrial and artistic significance, and repertory of the corporate; lists of personnel (together with managers, designers, technicians, and performers), works produced (selective if a full record has been printed), and selected scholarship and manuscript or archival material. Three indexes: titles; names (limited to principal performers); titles of songs (these within double quotation marks within the entries).